Showing posts with label Gujarat. Show all posts
Showing posts with label Gujarat. Show all posts

Monday, April 15, 2013

Queen of the ruins @ Lothal, Gujarat

Queen of the ruins, my family calls me. There is something which attracts me a lot to the lost times. May it be the eerie Scottish castles or colonial remains of Ross Island in the Andamans. They all seem to tell a story. Each stone a different one. The way they saw it. From their angle, their perspective.

Lothal remains
Following one such urge I went to Lothal last August. Monsoon isn't the best time to visit this archaeological milestone but my mantra has been 'better off-season than never'. The road leading to the site isn't great. You will take about 1.5 hours to reach here from Ahmedabad. Remnants of the ancient Indus Valley Civilization (2400 BCE) are seen here.

I like the fact that they have not barricaded the area. You can walk through the lanes and get a feel of place. But unfortunately you will see a lot of chattering tourists walking on the precious bricks despite polite and persistent pleas by the guards. There is a lack of stern administration and clean facilities but that shouldn't stop you from going to Lothal.

Here are the highlights-

Local Guide Hirabhai (+91 99787 82127) is moderately knowledgeable but eager to help and find out details for you. You can book rooms here to stay as well

Mr S S Parekh, Asst. Superintending Archaeologist, shuttles between excavated sites of Lothal & Dholaveera. Ask for him. An extremely knowledgeable and pleasant man who is happy to share information with interested tourists.

Please read introductory write ups for objects before looking at them in the museum. Photography is allowed only for the exteriors, not inside the museum. Videography is not allowed at all.

Exteriors-

1. They have a trapezoidal tidal dockyard. The earliest (2400 BCE) and the only of its kind in the world. The dock walls are made of kiln-fired bricks (as opposed to sun baked mud bricks used for housing foundations). Do make time to take a closer look at them.

2. The structural remains are devoid of high walls for 2 reasons. 1st is that the superstructures were made of unbaked brick which eroded in floods of 1900 BCE and 2nd because of brick-robbery. 3. Look out for lanes, drainage, nullahs, sewer margins, double sloped floors, hair-breadth masonry joint (which made the construction water tight) and the Acropolis. This is what the Harappa & Mohanjodaro civilization was famous for pioneering.

4. Look at the wells from top. You will see the use of radial bricks. 3 inches wide in front and 4 inches wide at the end. Interesting details.

5. Lower town, bead factory, copper-smith's workshop and cemetery are uniform and have evidence that the rules were rigid for re-building and workers quarters as all seem identical.

Interiors -

6. There is a small museum close by. It is not in a very good state as there was water seeping in from everywhere but it houses some archaeological marvels. One of them being the twin-burial skeletons entwined together (it is a fiber glass replica. Originals are in Delhi archives).

7. Actual tools, weapons, ritual objects, calligraphy seals, ivory, terracotta, pottery, ornaments are showcased. The micro cylindrical beads of steatite are kept under a magnifying glass for you to see how fine they were.

8. A 5 stranded necklace of gold microbeads (less than .25 mm in diameter) and a circular gold beaded necklace (you can see the photographs only, originals are in Delhi archives) are worth a read and look.But you are lucky. You can see photographs of both of them in this post. I visited ASI's 150th anniversary exhibition in New Delhi this year where they had dug these pieces out of their archives for public display.

9. The stone weights & measures displayed are world renowned for their homogeneity and consistency. The lowest being 50mg (Dhanya, weight of a Cumin seed), 100 mg (Gunja, weight of a Ratti/rosary pea seed).

10. The museum has a publication counter. It is very good. You can buy brochures and booklets by ASI (which are always detailed and authentic) for Lothal and other sites in India from here. I bought a lot of them. Was quite surprised to see that they were not available at very famous ASI sites like Hampi and Halebeedu but were available at a remote site like Lothal.

Monday, March 25, 2013

Fabrics of India @ Calico Textile Museum Ahmedabad

Calico Museum, Ahmedabad
Founded in 1949 by the industrialist Gautam Sarabhai and his sister Gira Sarabhai in Ahmedabad, this one of my favourite Museums in India. It is in a dark quiet haveli (private mansion) with a cowdung+straw+clay flooring but don't let that dampen your spirits. The objects have been preserved painstakingly by the Sarabhais. Even though they have bronzes and other other works of art, I will concentrate here on textiles which make it unique.

Unlike many museums where you can simply walk in the moment you arrive, one needs prior appointment here as entry is restricted to just a few visitors per day. This this done to control the relative humidity inside the museum to preserve the condition of artifacts (mainly the antique textiles).

You can call them in advance on +91 079 22865995 or +91 9979738650 and book your place for the day you want to visit it. It is free of cost. You can also contact them on-
late 19th century Silk brocade & gold zari
Farshi Pyjama (Gharara/Sharara)

email info@calicomuseum.com
website www.calicomuseum.com

The viewing is divided into two guided tours. One from 10:30 am to 12:30 pm. They take in only 20 visitors per day for this tour. You have to be at the gate by 10:15 am to enter (do not take this lightly as Gujarat is very punctual). It covers -

-Textiles and costumes of India (17th century onward).

-Textiles used in trade with foreigners (15th century onward).

-Regional embroideries, weaving, dyeing and block printing techniques.

The second tour is from 3:00 pm to 5:00 pm. Be there by 2:45 pm. If not, your place might be given to last minute visitors as only 16 visitors are allowed in. This one covers the paintings, bronzes, manuscripts, woodwork, ceremonial artifacts, ritual arts etc.

You cannot take a camera inside. It is advisable to carry a small diary and a pen to scribble anything that you really like and would want your friends to definitely see when they visit. For example the article no.109 is something I have not been able to forget. It is a saree from Odisha in Gold & red silk which has 'Barakhadi' (the Oriya vowels) woven on its drape. Exquisite work.


Rumaal from Uttar Pradesh
Another one of my favourites is a small rumaal (handkerchief) with pulled thread work (jaali), chain stitch (janjira), shadow stitch (bakhiya), murri, buttonhole stitch, detached eyelets (hool) and satin stitch. This has been explained very well in a set of 4 brochures which is a working guide and has photographs/techniques of all the Indian embroideries you see in the museum. Approx. Rs. 500/- per brochure.

The souvenir shop has some other offerings too. Textile prints and books were my favourite. 'The journal of India Textiles' is a complete set of 7 journals with a monograph about printing on cotton in Ahmedabad. Approx. Rs. 2000/-

A coffee table book of 'Indian Costumes' from 18th to mid 20th century is quite detailed. It also has a section in the end with technical explanatory notes and complete pattern cuts to show how to replicate these designs with tailoring today. Approx. Rs 4500/-


You can see the markings and templates of an Angrakha style garment here. Something similar to what is on the cover of the book

I pride myself at being able to differentiate machine embroidery and hand embroidery but this museum crushed my pride to bare threads. They were so fine that if they weren't so old, I would have brushed them aside as machine work. Our ancestors were very hardworking, I can see that.

We had Kamalini Ben (Ben is Gujarati for sister) as our guide. She was very good and knowledgeable. You need to ask questions to know more. Children below 10 years of age are not allowed.